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Black Magic M-66

Black Magic M-66

Action · Animation · Science Fiction · 1987

A top-secret weapon escapes from military custody ready to destroy its pre-programmed target. The nosy freelance reporter who shows up to cover the story lands herself at the center of something even more dangerous than the international scandal she signed up for.

Movie details

Black Magic M-66

1987 Action · Animation · Science Fiction 47m

Critical arithmetic

The consensus, allegedly.

IMDb

6.5 / 10

1K votes

TMDB

6.3 / 10

Community rating

External scores via OMDb · CC BY-NC 4.0. Values normalized for display; availability varies by title.

A top-secret weapon escapes from military custody ready to destroy its pre-programmed target. The nosy freelance reporter who shows up to cover the story lands herself at the center of something even more dangerous than the international scandal she signed up for.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Black Magic M-66?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Shirow Masamune · Hiroyuki Kitakubo

Written by

Shirow Masamune · Hiroyuki Kitakubo

Ichiro Nagai

Ichiro Nagai

Dr. Matthew (voice)

Shinji Ogawa

Shinji Ogawa

Col. Arthur (voice)

Yoshiko Sakakibara

Yoshiko Sakakibara

Sybel (voice)

Kozo Shioya

Kozo Shioya

Paco (voice)

Norio Wakamoto

Norio Wakamoto

Roger (voice)

K

Kazuya Sokabe

Rico (voice)

K

Kyôko Tonomiya

Nakamura (voice)

Court is in session

Put Black Magic M-66 on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Adrenaline Seeker

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Prestige Tourist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.