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Code Geass: Akito the Exiled 2: The Wyvern Divided

Code Geass: Akito the Exiled 2: The Wyvern Divided

Action · Animation · Science Fiction · 2013

The war between Euro Britannia and the European Union continues. New orders are given to the W-0 Unit. To land in the middle of the enemy territory as a diversion. The pilots of the W-0 Unit consist only of the commanding officer, Leila, the only surviving Japanese from their last battle, Akito, and the three that escaped from the Eleven ghettos and lived in the underworld, Ryou, Yukiya, and Ayano. With everyone holding their respective expectations, the operation moves forward. On the other side in Euro Britannia, Shin, who made his benefactor commit suicide with the mysterious power of “Geass”, is appointed the leader of the Knights of St. Michael. As Shin steadily advances for the sake of his own ambition, he and his subordinates in the Ashura squad are given orders to deploy. The one that lives in order to fight, and the one that fights in order to live.

Movie details

Code Geass: Akito the Exiled 2: The Wyvern Divided

“Possessed by a lethal curse, a bloodthirsty violence awakens”

2013 Action · Animation · Science Fiction 1h 0m

Critical arithmetic

One number, for now.

TMDB

6.3 / 10

Community rating

The war between Euro Britannia and the European Union continues. New orders are given to the W-0 Unit. To land in the middle of the enemy territory as a diversion. The pilots of the W-0 Unit consist only of the commanding officer, Leila, the only surviving Japanese from their last battle, Akito, and the three that escaped from the Eleven ghettos and lived in the underworld, Ryou, Yukiya, and Ayano. With everyone holding their respective expectations, the operation moves forward. On the other side in Euro Britannia, Shin, who made his benefactor commit suicide with the mysterious power of “Geass”, is appointed the leader of the Knights of St. Michael. As Shin steadily advances for the sake of his own ambition, he and his subordinates in the Ashura squad are given orders to deploy. The one that lives in order to fight, and the one that fights in order to live.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Code Geass: Akito the Exiled 2: The Wyvern Divided?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Code Geass: Akito the Exiled 1: The Wyvern Arrives

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Action · 2012

The side story takes place in 2017 a.t.b., between the rise of the “Black Knights” organization and the return of the supposedly "dead" Zero. The setting is in Europe, where the European Union (E.U.) allied nations are being invaded by the overwhelming forces of the Holy Britannian Empire. On the verge of defeat, the E.U. army forms a special unit known as “W-0″, of which a young pilot named Akito Hyuga is a member. Leila Malkal , a former Britannian Aristocrat comes to the E.U.'s aid, commanding the “Wyvern” Knightmare corps comprised of Japanese teenagers. They recklessly plunge into a battlefield, where the survival rate is extremely low, at about 5% only. They fight for their freedom and for a "home" to which they can return.

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Names above the title

The people responsible.

Directed by

Kazuki Akane

Written by

Kazuki Akane · Miya Asakawa · Hiroshi Onogi

Miyu Irino

Miyu Irino

Akito Hyuga (voice)

Maaya Sakamoto

Maaya Sakamoto

Leila Malkal (voice)

Satoshi Hino

Satoshi Hino

Ryou Sayama (voice)

Yoshitsugu Matsuoka

Yoshitsugu Matsuoka

Yukiya Naruse (voice)

Yoko Hikasa

Yoko Hikasa

Ayano Kosaka (voice)

Keiji Fujiwara

Keiji Fujiwara

Klaus Warwick (voice)

Yuhko Kaida

Yuhko Kaida

Sophie Randall (voice)

Court is in session

Put Code Geass: Akito the Exiled 2: The Wyvern Divided on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Adrenaline Seeker

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Prestige Tourist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.