“Ambition earns the room.”
The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

Perfumes
Comedy · Drama · 2020
Anne Walberg is a celebrity in the world of perfume. She creates fragrances and sells her incredible talent to companies of all kinds. She lives as a diva, selfish, with a strong temper. Guillaume is her new driver and the only one who is not afraid to stand up to her. No doubt this is the reason why she does not fire him.
Perfumes
Critical arithmetic
One number, for now.
Scores change. Arguments endure.
TMDB
6.4 / 10
Community rating
Anne Walberg is a celebrity in the world of perfume. She creates fragrances and sells her incredible talent to companies of all kinds. She lives as a diva, selfish, with a strong temper. Guillaume is her new driver and the only one who is not afraid to stand up to her. No doubt this is the reason why she does not fire him.
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over Perfumes?
The Prestige Tourist
“You like your greatness pre-approved.”
Read their caseThe Popcorn Loyalist
“Big screen, big feelings, no apologies.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
Nearby on the taste map.
TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.
Watch in your region.
Cinema release signals and current streaming, rental, and purchase options for your region.
Streaming availability data supplied by JustWatch.
The people responsible.
Cast & crew
Directed by
Grégory Magne
Written by
Grégory Magne
Put Perfumes on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
“Importance has entered the chat.”
The production keeps announcing its significance, as though awards-season posture were proof of insight.






