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We Won't Grow Old Together

We Won't Grow Old Together

Romance · Drama · 1972

Jean, a married 40-year-old filmmaker, and his young working class lover, Catherine, engage in a circular series of spectacular blow-ups and tentative reunions, their mutual desire a fire that burns them again and again.

Movie details

We Won't Grow Old Together

1972 Romance · Drama 1h 50m

Critical arithmetic

One number, for now.

TMDB

7.0 / 10

Community rating

Jean, a married 40-year-old filmmaker, and his young working class lover, Catherine, engage in a circular series of spectacular blow-ups and tentative reunions, their mutual desire a fire that burns them again and again.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over We Won't Grow Old Together?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Maurice Pialat

Written by

Maurice Pialat

Marlène Jobert

Marlène Jobert

Catherine

Jean Yanne

Jean Yanne

Jean

Harry-Max

Harry-Max

Jean's Father

Jacques Galland

Jacques Galland

Catherine's Father

Macha Méril

Macha Méril

Françoise

Christine Fabréga

Christine Fabréga

Catherine's Mother

Muse Dalbray

Muse Dalbray

Catherine's Grandmother

Court is in session

Put We Won't Grow Old Together on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Popcorn Loyalist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.