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Christmas at the Plaza

Christmas at the Plaza

Romance · TV Movie · 2019

With Christmas approaching in New York City, historian Jessica is hired to create an exhibition honoring the history of Christmas at The Plaza Hotel. When she is paired with Nick, a handsome decorator, they wind up enjoying a host of holiday traditions together and find themselves falling for each other.

Movie details

Christmas at the Plaza

“Nothing unimportant ever happens at the Plaza.”

2019 Romance · TV Movie 1h 28m

Critical arithmetic

One number, for now.

TMDB

6.4 / 10

Community rating

With Christmas approaching in New York City, historian Jessica is hired to create an exhibition honoring the history of Christmas at The Plaza Hotel. When she is paired with Nick, a handsome decorator, they wind up enjoying a host of holiday traditions together and find themselves falling for each other.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Christmas at the Plaza?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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A Blue Ridge Mountain Christmas

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Names above the title

The people responsible.

Directed by

Ron Oliver

Written by

Ron Oliver

Elizabeth Henstridge

Elizabeth Henstridge

Jessica Cooper

Ryan Paevey

Ryan Paevey

Nick Perrelli

Bruce Davison

Bruce Davison

Reginald Brookwater

Julia Duffy

Julia Duffy

Amanda Clark

Karen Holness

Karen Holness

Cassidy

David Lafontaine

David Lafontaine

Dennis Park

Nelson Wong

Nelson Wong

Kenny Kwan

Court is in session

Put Christmas at the Plaza on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.