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Christmas at Pemberley Manor

Christmas at Pemberley Manor

Romance · TV Movie · 2018

As Christmas approaches, Elizabeth Bennett, a New York event planner is sent to a quaint, small town to organize a holiday festival. When she arrives, she finds William Darcy, a high-profile billionaire lacking in holiday spirit, in the process of selling the charming estate she hoped to use as a venue. Elizabeth persuades the reluctant Darcy to let her hold the festival on the historical estate and, before long, the unlikely pair begins falling for each other.

Movie details

Christmas at Pemberley Manor

2018 Romance · TV Movie 1h 24m

Critical arithmetic

One number, for now.

TMDB

6.2 / 10

Community rating

As Christmas approaches, Elizabeth Bennett, a New York event planner is sent to a quaint, small town to organize a holiday festival. When she arrives, she finds William Darcy, a high-profile billionaire lacking in holiday spirit, in the process of selling the charming estate she hoped to use as a venue. Elizabeth persuades the reluctant Darcy to let her hold the festival on the historical estate and, before long, the unlikely pair begins falling for each other.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Christmas at Pemberley Manor?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Colin Theys

Written by

Rick Garman

Jessica Lowndes

Jessica Lowndes

Elizabeth

Michael Rady

Michael Rady

William Darcy

Cole Gleason

Cole Gleason

George

Maddie McCormick

Maddie McCormick

Jane

Steve Larkin

Steve Larkin

Kristopher

Ben Estus

Ben Estus

Travis

Elaine Hendrix

Elaine Hendrix

Caroline

Court is in session

Put Christmas at Pemberley Manor on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.