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The Babysitter: Killer Queen

The Babysitter: Killer Queen

Comedy · Horror · 2020

Two years after defeating a satanic cult led by his babysitter Bee, Cole's trying to forget his past and focus on surviving high school. But when old enemies unexpectedly return, Cole will once again have to outsmart the forces of evil.

Movie details

The Babysitter: Killer Queen

“Face your demons. Survive the night.”

2020 Comedy · Horror 1h 41m

Critical arithmetic

One number, for now.

TMDB

6.3 / 10

Community rating

Two years after defeating a satanic cult led by his babysitter Bee, Cole's trying to forget his past and focus on surviving high school. But when old enemies unexpectedly return, Cole will once again have to outsmart the forces of evil.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Babysitter: Killer Queen?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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The Babysitter

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Where it lives

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Names above the title

The people responsible.

Directed by

McG

Written by

Dan Lagana · Brad Morris · Jimmy Warden · McG

Judah Lewis

Judah Lewis

Cole Johnson

Jenna Ortega

Jenna Ortega

Phoebe Atwell

Robbie Amell

Robbie Amell

Max

Emily Alyn Lind

Emily Alyn Lind

Melanie

Andrew Bachelor

Andrew Bachelor

John

Bella Thorne

Bella Thorne

Allison

Hana Mae Lee

Hana Mae Lee

Sonya

Court is in session

Put The Babysitter: Killer Queen on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Prestige Tourist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.