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Critters Attack!

Critters Attack!

Comedy · Horror · Science Fiction · 2020

Mysterious alien Critters have crash-landed in a small college town, devouring every living thing they encounter. Drea and the kids she's babysitting must try desperately to save themselves from the ravenous, rolling beasts. Will Drea discover her inner badass, and will it be enough to stop the Critter onslaught?

Movie details

Critters Attack!

“Everyone is on the menu.”

2020 Comedy · Horror · Science Fiction 1h 29m

Critical arithmetic

One number, for now.

TMDB

6.0 / 10

Community rating

Mysterious alien Critters have crash-landed in a small college town, devouring every living thing they encounter. Drea and the kids she's babysitting must try desperately to save themselves from the ravenous, rolling beasts. Will Drea discover her inner badass, and will it be enough to stop the Critter onslaught?

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Critters Attack!?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Bobby Miller

Written by

Scott Lobdell

Tashiana Washington

Tashiana Washington

Drea

Ava Preston

Ava Preston

Trissy Lacy

Jack Fulton

Jack Fulton

Jake Lacy

Jaeden Noel

Jaeden Noel

Phillip

Dee Wallace

Dee Wallace

Dee

Stephen Jennings

Stephen Jennings

Sheriff Lewis Haines

Pierre Malherbe

Pierre Malherbe

Backpacker Doug

Court is in session

Put Critters Attack! on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Prestige Tourist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.