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Lola and the Sea

Lola and the Sea

Drama · 2019

Just when Lola, 18 years old and transgender, learns that she can finally have surgery, her mother, who is her only financial support, passes away. Abiding by her mother’s last wishes, Lola and her father, who are permanently in conflict and have not seen each other for two years, undertake a journey all the way to the Belgian coast. They realize the outcome of the journey may not be the one they were both expecting...

Movie details

Lola and the Sea

2019 Drama 1h 30m

Critical arithmetic

One number, for now.

TMDB

6.4 / 10

Community rating

Just when Lola, 18 years old and transgender, learns that she can finally have surgery, her mother, who is her only financial support, passes away. Abiding by her mother’s last wishes, Lola and her father, who are permanently in conflict and have not seen each other for two years, undertake a journey all the way to the Belgian coast. They realize the outcome of the journey may not be the one they were both expecting...

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Lola and the Sea?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Laurent Micheli

Written by

Laurent Micheli

Mya Bollaers

Mya Bollaers

Lola

Benoît Magimel

Benoît Magimel

Philippe

Els Deceukelier

Els Deceukelier

La patronne

Sami Outalbali

Sami Outalbali

Samir

J

Jeremie Zagba

Antoine

Anemone Valcke

Anemone Valcke

La danseuse

Adriana Da Fonseca

Adriana Da Fonseca

La secrétaire médicale

Court is in session

Put Lola and the Sea on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.