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Sunday Bloody Sunday

Sunday Bloody Sunday

Drama · 1971

Recently divorced career woman Alex Greville begins a romantic relationship with glamorous mod artist Bob Elkin, fully aware that he's also intimately involved with middle-aged doctor Daniel Hirsh. For both Alex and Daniel, the younger man represents a break with their repressive pasts, and though both know that Bob is seeing both of them, neither is willing to let go of the youth and vitality he brings to their otherwise stable lives.

Movie details

Sunday Bloody Sunday

“It's about three decent people. They will break your heart.”

1971 Drama 1h 50m

Critical arithmetic

One number, for now.

TMDB

6.6 / 10

Community rating

Recently divorced career woman Alex Greville begins a romantic relationship with glamorous mod artist Bob Elkin, fully aware that he's also intimately involved with middle-aged doctor Daniel Hirsh. For both Alex and Daniel, the younger man represents a break with their repressive pasts, and though both know that Bob is seeing both of them, neither is willing to let go of the youth and vitality he brings to their otherwise stable lives.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Sunday Bloody Sunday?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

John Schlesinger

Written by

Penelope Gilliatt

Peter Finch

Peter Finch

Dr. Daniel Hirsh

Glenda Jackson

Glenda Jackson

Alex Greville

Murray Head

Murray Head

Bob Elkin

Peggy Ashcroft

Peggy Ashcroft

Mrs. Greville

Tony Britton

Tony Britton

George Harding

Maurice Denham

Maurice Denham

Mr. Greville

Bessie Love

Bessie Love

Answering Service Lady

Court is in session

Put Sunday Bloody Sunday on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Popcorn Loyalist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.