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Sebastian

Sebastian

Drama · 2024

Max is a 25-year-old freelance writer and aspiring novelist who seems well on his way to success in London’s cultural spheres. Yet by night, he finds a different kind of exhilaration as a sex worker with the pseudonym Sebastian, meeting men via an escorting platform. Max uses his experiences as Sebastian to fuel his stories and the worthy debut novel that he has been longing to write, finally seems within reach.

Movie details

Sebastian

“How far would you go for the story?”

2024 Drama 1h 50m

Critical arithmetic

One number, for now.

TMDB

6.5 / 10

Community rating

Max is a 25-year-old freelance writer and aspiring novelist who seems well on his way to success in London’s cultural spheres. Yet by night, he finds a different kind of exhilaration as a sex worker with the pseudonym Sebastian, meeting men via an escorting platform. Max uses his experiences as Sebastian to fuel his stories and the worthy debut novel that he has been longing to write, finally seems within reach.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Sebastian?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Mikko Mäkelä

Written by

Mikko Mäkelä

Ruaridh Mollica

Ruaridh Mollica

Max

Hiftu Quasem

Hiftu Quasem

Amna

Jonathan Hyde

Jonathan Hyde

Nicholas

Ingvar E. Sigurðsson

Ingvar E. Sigurðsson

Daniel

Dylan Brady

Dylan Brady

Joel

Pedro Minas

Pedro Minas

Oliver

Matthias Moret

Matthias Moret

Jacopo

Court is in session

Put Sebastian on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Popcorn Loyalist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.