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Halloween Ends

Halloween Ends

Horror · Thriller · 2022

Four years after the events of Halloween in 2018, Laurie has decided to liberate herself from fear and rage and embrace life. But when a young man is accused of killing a boy he was babysitting, it ignites a cascade of violence and terror that will force Laurie to finally confront the evil she can’t control, once and for all.

Movie details

Halloween Ends

“Only one of them will survive.”

2022 Horror · Thriller 1h 51m

Critical arithmetic

One number, for now.

TMDB

6.0 / 10

Community rating

Four years after the events of Halloween in 2018, Laurie has decided to liberate herself from fear and rage and embrace life. But when a young man is accused of killing a boy he was babysitting, it ignites a cascade of violence and terror that will force Laurie to finally confront the evil she can’t control, once and for all.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Halloween Ends?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Where it lives

Watch in your region.

Cinema release signals and current streaming, rental, and purchase options for your region.

Streaming availability data supplied by JustWatch.

Names above the title

The people responsible.

Directed by

David Gordon Green

Written by

Paul Brad Logan · Chris Bernier · David Gordon Green · Danny McBride

Jamie Lee Curtis

Jamie Lee Curtis

Laurie

Andi Matichak

Andi Matichak

Allyson

James Jude Courtney

James Jude Courtney

The Shape

Rohan Campbell

Rohan Campbell

Corey

Will Patton

Will Patton

Frank

Jesse C. Boyd

Jesse C. Boyd

Officer Mulaney

Michael Barbieri

Michael Barbieri

Terry

Court is in session

Put Halloween Ends on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Adrenaline Seeker

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Prestige Tourist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.