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Jason Lives - Friday the 13th Part VI

Jason Lives - Friday the 13th Part VI

Horror · Thriller · 1986

Tommy Jarvis, tormented by the fear that maybe Jason isn't really dead, unwittingly resurrects the mass murderer for another bloody rampage.

Movie details

Jason Lives - Friday the 13th Part VI

“Kill or be killed.”

1986 Horror · Thriller 1h 26m

Critical arithmetic

One number, for now.

TMDB

6.3 / 10

Community rating

Tommy Jarvis, tormented by the fear that maybe Jason isn't really dead, unwittingly resurrects the mass murderer for another bloody rampage.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Jason Lives - Friday the 13th Part VI?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Friday the 13th Part III

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An idyllic summer turns into a nightmare of unspeakable terror for yet another group of naïve friends. Ignoring Camp Crystal Lake's bloody legacy, one by one they fall victim to the maniacal Jason, who stalks them at every turn...

Where it lives

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Names above the title

The people responsible.

Directed by

Tom McLoughlin

Written by

Tom McLoughlin

Thom Mathews

Thom Mathews

Tommy Jarvis

Jennifer Cooke

Jennifer Cooke

Megan Garris

David Kagen

David Kagen

Sheriff Garris

Renée Jones

Renée Jones

Sissy

Kerry Noonan

Kerry Noonan

Paula Mott

Darcy DeMoss

Darcy DeMoss

Nikki

Tom Fridley

Tom Fridley

Cort

Court is in session

Put Jason Lives - Friday the 13th Part VI on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Cool Ironist

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Prestige Tourist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.