“Form is the argument.”
Every composed frame and deliberate cut is evidence that control can be thrilling in its own right.

The Passion of the Christ
Drama · 2004
A graphic portrayal of the last twelve hours of Jesus of Nazareth's life.
The Passion of the Christ
“By his wounds, we were healed.”
Critical arithmetic
The consensus, allegedly.
Scores change. Arguments endure.
IMDb
7.3 / 10
273.7K votes
Rotten Tomatoes
50 %
Tomatometer
Metacritic
47 / 100
Metascore
TMDB
7.5 / 10
Community rating
External scores via OMDb · CC BY-NC 4.0. Values normalized for display; availability varies by title.
A graphic portrayal of the last twelve hours of Jesus of Nazareth's life.
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over The Passion of the Christ?
The Prestige Tourist
“You like your greatness pre-approved.”
Read their caseThe Popcorn Loyalist
“Big screen, big feelings, no apologies.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
Nearby on the taste map.
TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.
Watch in your region.
Cinema release signals and current streaming, rental, and purchase options for your region.
Streaming availability data supplied by JustWatch.
The people responsible.
Cast & crew
Directed by
Mel Gibson
Written by
Mel Gibson · Benedict Fitzgerald
Put The Passion of the Christ on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
“Technique in search of a pulse.”
Immaculate construction is still construction. The film may be too busy proving its craft to feel alive.






