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The Last Temptation of Christ

The Last Temptation of Christ

Drama · 1988

Jesus, a humble Judean carpenter beginning to see that he is the son of God, is drawn into revolutionary action against the Roman occupiers by Judas -- despite his protestations that love, not violence, is the path to salvation. The burden of being the savior of mankind torments Jesus throughout his life, leading him to doubt.

Movie details

The Last Temptation of Christ

1988 Drama 2h 44m

Critical arithmetic

One number, for now.

TMDB

7.2 / 10

Community rating

Jesus, a humble Judean carpenter beginning to see that he is the son of God, is drawn into revolutionary action against the Roman occupiers by Judas -- despite his protestations that love, not violence, is the path to salvation. The burden of being the savior of mankind torments Jesus throughout his life, leading him to doubt.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Last Temptation of Christ?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Martin Scorsese

Written by

Paul Schrader · Jay Cocks

Willem Dafoe

Willem Dafoe

Jesus

Harvey Keitel

Harvey Keitel

Judas

Paul Greco

Paul Greco

Zealot

Steve Shill

Steve Shill

Centurian

Verna Bloom

Verna Bloom

Mary, Mother of Jesus

Barbara Hershey

Barbara Hershey

Mary Magdalene

Roberts Blossom

Roberts Blossom

Aged Master

Court is in session

Put The Last Temptation of Christ on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.