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Salvador

Salvador

Drama · Thriller · War · 1986

In 1980, an American journalist covering the Salvadoran Civil War becomes entangled with both the leftist guerrilla groups and the right-wing military dictatorship while trying to rescue his girlfriend and her children.

Movie details

Salvador

“Dateline: 1980, El Salvador. Correspondent: Richard Boyle, Photojournalist - Guatemala, Iran, Vietnam, Chile, Belfast, Lebanon, Cambodia...”

1986 Drama · Thriller · War 2h 3m

Critical arithmetic

The consensus, allegedly.

IMDb

7.3 / 10

24.9K votes

Rotten Tomatoes

91 %

Tomatometer

Metacritic

69 / 100

Metascore

TMDB

7.0 / 10

Community rating

External scores via OMDb · CC BY-NC 4.0. Values normalized for display; availability varies by title.

In 1980, an American journalist covering the Salvadoran Civil War becomes entangled with both the leftist guerrilla groups and the right-wing military dictatorship while trying to rescue his girlfriend and her children.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Salvador?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

Watch in your region.

Cinema release signals and current streaming, rental, and purchase options for your region.

Streaming availability data supplied by JustWatch.

Names above the title

The people responsible.

Directed by

Oliver Stone

Written by

Oliver Stone · Rick Boyle

James Woods

James Woods

Richard Boyle

Jim Belushi

Jim Belushi

Doctor Rock

Michael Murphy

Michael Murphy

Ambassador Thomas Kelly

John Savage

John Savage

John Cassady

Elpidia Carrillo

Elpidia Carrillo

Maria

Tony Plana

Tony Plana

Major Maximilliano Casanova

Colby Chester

Colby Chester

Jack Morgan

Court is in session

Put Salvador on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.