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Beasts of No Nation

Beasts of No Nation

Drama · War · 2015

Based on the experiences of Agu, a child fighting in the civil war of a West African country. Follows Agu's journey as he's forced to join a group of soldiers. While he fears his commander and many of the men around him, his fledgling childhood has been brutally shattered by the war raging through his country, and he is at first torn between conflicting revulsion and fascination.

Movie details

Beasts of No Nation

“Child. Captive. Killer.”

2015 Drama · War 2h 17m

Critical arithmetic

One number, for now.

TMDB

7.6 / 10

Community rating

Based on the experiences of Agu, a child fighting in the civil war of a West African country. Follows Agu's journey as he's forced to join a group of soldiers. While he fears his commander and many of the men around him, his fledgling childhood has been brutally shattered by the war raging through his country, and he is at first torn between conflicting revulsion and fascination.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Beasts of No Nation?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Zulu

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Apocalypse Now

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Names above the title

The people responsible.

Directed by

Cary Joji Fukunaga

Written by

Cary Joji Fukunaga

Abraham Attah

Abraham Attah

Agu

Idris Elba

Idris Elba

Commandant

E

Emmanuel Nii Adom Quaye

Strika

O

Opeyemi Fagbohungbe

Sergeant Gaz

Emmanuel Affadzi

Emmanuel Affadzi

Dike

Richard Pepple

Richard Pepple

Father Friday

Ama K. Abebrese

Ama K. Abebrese

Mother

Court is in session

Put Beasts of No Nation on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.