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Sundays at Tiffany's

Sundays at Tiffany's

Drama · Romance · TV Movie · 2010

Jane, a soon-to-be-married woman, is reunited with her imaginary friend Michael who returns in a human form. Soon, Jane begins doubting her feelings for her fiance as she gets attracted to Michael.

Movie details

Sundays at Tiffany's

2010 Drama · Romance · TV Movie 1h 28m

Critical arithmetic

The consensus, allegedly.

IMDb

6.5 / 10

4.8K votes

TMDB

6.5 / 10

Community rating

External scores via OMDb · CC BY-NC 4.0. Values normalized for display; availability varies by title.

Jane, a soon-to-be-married woman, is reunited with her imaginary friend Michael who returns in a human form. Soon, Jane begins doubting her feelings for her fiance as she gets attracted to Michael.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Sundays at Tiffany's?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Streaming availability data supplied by JustWatch.

Names above the title

The people responsible.

Directed by

Mark Piznarski

Written by

Jennifer Heath · Heather Maidat · Nancey Silvers

Alyssa Milano

Alyssa Milano

Jane Claremont

Eric Winter

Eric Winter

Michael Friend

Kristin Booth

Kristin Booth

Jacqueline

Emily Alyn Lind

Emily Alyn Lind

Young Jane

Ivan Sergei

Ivan Sergei

Hugh Morrison

Stockard Channing

Stockard Channing

Vivian Claremont

Robyn Thaler Hickey

Robyn Thaler Hickey

Tiffany's Saleswoman

Court is in session

Put Sundays at Tiffany's on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.