“Sincerity is not manipulation.”
The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

Sundays at Tiffany's
Drama · Romance · TV Movie · 2010
Jane, a soon-to-be-married woman, is reunited with her imaginary friend Michael who returns in a human form. Soon, Jane begins doubting her feelings for her fiance as she gets attracted to Michael.
Sundays at Tiffany's
Critical arithmetic
One number, for now.
Scores change. Arguments endure.
TMDB
6.5 / 10
Community rating
Jane, a soon-to-be-married woman, is reunited with her imaginary friend Michael who returns in a human form. Soon, Jane begins doubting her feelings for her fiance as she gets attracted to Michael.
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over Sundays at Tiffany's?
The Sentimental Softie
“You came to feel something, and you will.”
Read their caseThe Cool Ironist
“Feeling things is a little embarrassing.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
Nearby on the taste map.
TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.
Watch in your region.
Cinema release signals and current streaming, rental, and purchase options for your region.
Streaming availability data supplied by JustWatch.
The people responsible.
Cast & crew
Directed by
Mark Piznarski
Written by
Jennifer Heath · Heather Maidat · Nancey Silvers
Put Sundays at Tiffany's on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
“The strings are showing.”
Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.






