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Tim

Tim

Romance · Drama · 1979

Handsome but backward gardener Tim Melville has a new woman in his life. She is Mary, his widowed employer, a woman who had given up on love until she had found Tim. At first they are friends. But soon they become lovers, as Mary, drawn to Tim's innocence and magnetism, begins to teach him all about life - and love.

Movie details

Tim

“A Heartrending Story of Courage and Devotion”

1979 Romance · Drama 1h 49m

Critical arithmetic

The consensus, allegedly.

IMDb

6.4 / 10

3.8K votes

TMDB

6.3 / 10

Community rating

External scores via OMDb · CC BY-NC 4.0. Values normalized for display; availability varies by title.

Handsome but backward gardener Tim Melville has a new woman in his life. She is Mary, his widowed employer, a woman who had given up on love until she had found Tim. At first they are friends. But soon they become lovers, as Mary, drawn to Tim's innocence and magnetism, begins to teach him all about life - and love.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Tim?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

Watch in your region.

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Streaming availability data supplied by JustWatch.

Names above the title

The people responsible.

Directed by

Michael Pate

Written by

Michael Pate

Piper Laurie

Piper Laurie

Mary Horton

Mel Gibson

Mel Gibson

Tim Melville

Alwyn Kurts

Alwyn Kurts

Ron Melville

Pat Evison

Pat Evison

Em Melville

Peter Gwynne

Peter Gwynne

Tom Ainsley

Deborah Kennedy

Deborah Kennedy

Dawnie Melville

M

Michael Caulfield

John Martinson

Court is in session

Put Tim on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.