The defence The Sentimental Softie
“Sincerity is not manipulation.”
The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.
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Our Souls at Night
Romance · Drama · 2017
Addie Moore and Louis Waters, a widow and widower, have lived next to each other for years. The pair have almost no relationship, but that all changes when Addie tries to make a connection with her neighbour.
Movie details
Our Souls at Night
2017 Romance · Drama 1h 41m
Critical arithmetic
One number, for now.
Scores change. Arguments endure.
TMDB
6.7 / 10
Community rating
Addie Moore and Louis Waters, a widow and widower, have lived next to each other for years. The pair have almost no relationship, but that all changes when Addie tries to make a connection with her neighbour.
CriticWise case file
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over Our Souls at Night?
For the defence
The Sentimental Softie
“You came to feel something, and you will.”
Read their case For the prosecution
The Cool Ironist
“Feeling things is a little embarrassing.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
Taste neighbourhood
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Names above the title
The people responsible.
Cast & crew
Directed by
Ritesh Batra
Written by
Scott Neustadter · Kent Haruf · Michael H. Weber
Robert Redford
Louis Waters
Jane Fonda
Addie Moore
Matthias Schoenaerts
Gene
Iain Armitage
Jamie
Judy Greer
Holly
Phyllis Somerville
Ruth
Bruce Dern
Dorlan
Court is in session
Put Our Souls at Night on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
The prosecution The Cool Ironist
“The strings are showing.”
Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.