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The Mother

The Mother

Drama · Romance · 2003

A grandmother has a passionate affair with a man half her age, who is also sleeping with her daughter.

Movie details

The Mother

2003 Drama · Romance 1h 52m

Critical arithmetic

One number, for now.

TMDB

6.0 / 10

Community rating

A grandmother has a passionate affair with a man half her age, who is also sleeping with her daughter.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Mother?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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A novelist is blinded in a car crash that killed his wife and several years later rediscovers his passion for life and writing when he embarks on an affair with the neglected wife of an indicted businessman.

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Lady Chatterley's Lover

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Inventing the Abbotts

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White Palace

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Drama · 1990

Max Baron is a Jewish advertising executive in his 20s who's still getting over the death of his wife. Nora Baker is a 40-something diner waitress who enjoys the wilder side of life. Mismatched or not, their attraction is instant and smoldering. With time, however, their class and age differences become an obstacle in their relationship, especially since Max can't keep Nora a secret from his Jewish friends and upper-crust associates forever.

Where it lives

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Names above the title

The people responsible.

Directed by

Roger Michell

Written by

Hanif Kureishi

Anne Reid

Anne Reid

May

Daniel Craig

Daniel Craig

Darren

Peter Vaughan

Peter Vaughan

Toots

Steven Mackintosh

Steven Mackintosh

Bobby

Cathryn Bradshaw

Cathryn Bradshaw

Paula

Anna Wilson-Jones

Anna Wilson-Jones

Helen

D

Danira Gović

Au Pair

Court is in session

Put The Mother on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.