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Angel Eyes

Angel Eyes

Drama · Romance · Thriller · 2001

A story about a seemingly unlikely couple who cross paths under life-threatening circumstances as though they are destined not only to meet but to save each other's lives. Not once, but twice.

Movie details

Angel Eyes

“The deeper you look, the more you will find.”

2001 Drama · Romance · Thriller 1h 42m

Critical arithmetic

One number, for now.

TMDB

6.0 / 10

Community rating

A story about a seemingly unlikely couple who cross paths under life-threatening circumstances as though they are destined not only to meet but to save each other's lives. Not once, but twice.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Angel Eyes?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Untamed Heart

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The Fugitive Kind

The Fugitive Kind

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Val Xavier, a drifter of obscure origins, arrives at a small town and gets a job in a store run by Lady Torrence. Her husband, Jabe M. Torrance, is dying of cancer. Val is pursued by Carol Cutere, the enigmatic local tramp-of-good-family.

Where it lives

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Names above the title

The people responsible.

Directed by

Luis Mandoki

Written by

Gerald Di Pego

Jennifer Lopez

Jennifer Lopez

Sharon Pogue

Jim Caviezel

Jim Caviezel

Steven "Catch" Lambert

Jeremy Sisto

Jeremy Sisto

Larry Pogue Sr.

Terrence Howard

Terrence Howard

Robby

Sonia Braga

Sonia Braga

Josephine Pogue

Victor Argo

Victor Argo

Carl Pogue

Monet Mazur

Monet Mazur

Kathy Pogue

Court is in session

Put Angel Eyes on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.