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Ray Romano: Right Here, Around the Corner

Ray Romano: Right Here, Around the Corner

Comedy · TV Movie · 2019

Ray Romano first cut his stand-up teeth at the Comedy Cellar in New York. Now, in his first comedy special in 23 years, he returns to where it all began.

Movie details

Ray Romano: Right Here, Around the Corner

2019 Comedy · TV Movie 59m

Critical arithmetic

The consensus, allegedly.

IMDb

7.2 / 10

2K votes

Rotten Tomatoes

57 %

Tomatometer

TMDB

6.8 / 10

Community rating

External scores via OMDb · CC BY-NC 4.0. Values normalized for display; availability varies by title.

Ray Romano first cut his stand-up teeth at the Comedy Cellar in New York. Now, in his first comedy special in 23 years, he returns to where it all began.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Ray Romano: Right Here, Around the Corner?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Michael Showalter

Written by

Ray Romano

Ray Romano

Ray Romano

Himself

Anna Romano

Anna Romano

Herself

Alexandra Romano

Alexandra Romano

Herself

Matt Romano

Matt Romano

Himself

Joseph Romano

Joseph Romano

Himself

Gregory Romano

Gregory Romano

Himself

Court is in session

Put Ray Romano: Right Here, Around the Corner on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.