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Jim Gaffigan: Obsessed

Jim Gaffigan: Obsessed

Comedy · TV Movie · 2014

Jim Gaffigan bursts back on the scene with this eagerly anticipated fourth comedy special. Dubbed the "King of Clean Comedy" by The Wall Street Journal, Jim's obsession with all things food comes to fruition on Obsessed as he tackles a cornucopia of new food topics from fruit to seafood to donuts. Get ready for 70 minutes of non-stop laughs at Jim's twisted-yet-enlightened observations on the seemingly mundane topics that have made him a fixture in the comedy world for audiences of all ages.

Movie details

Jim Gaffigan: Obsessed

2014 Comedy · TV Movie 1h 10m

Critical arithmetic

One number, for now.

TMDB

6.9 / 10

Community rating

Jim Gaffigan bursts back on the scene with this eagerly anticipated fourth comedy special. Dubbed the "King of Clean Comedy" by The Wall Street Journal, Jim's obsession with all things food comes to fruition on Obsessed as he tackles a cornucopia of new food topics from fruit to seafood to donuts. Get ready for 70 minutes of non-stop laughs at Jim's twisted-yet-enlightened observations on the seemingly mundane topics that have made him a fixture in the comedy world for audiences of all ages.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Jim Gaffigan: Obsessed?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Jay Chapman

Written by

Jim Gaffigan

Jim Gaffigan

Jim Gaffigan

Self

Court is in session

Put Jim Gaffigan: Obsessed on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.