“Its refusal to behave is the point.”
The strange choices create the kind of friction that follows you out of the theatre and into the argument.

Mudhoney!
Drama · Horror · Thriller · 1965
In this Depression-era tale, Calef McKinney, traveling from Michigan to California, stops in Spooner, Missouri, where Lute hires him for odd jobs. Calef gets involved with Lute's niece, Hannah. But she's married to Sidney, a wife-beating drunk who hopes to inherit his uncle-in-law's money. Sidney and an eccentric preacher plot against Calef, who finds it difficult to conceal his mysterious past and his growing affection for Sidney's wife.
Mudhoney!
“...leaves a taste of evil!”
Critical arithmetic
One number, for now.
Scores change. Arguments endure.
TMDB
6.2 / 10
Community rating
In this Depression-era tale, Calef McKinney, traveling from Michigan to California, stops in Spooner, Missouri, where Lute hires him for odd jobs. Calef gets involved with Lute's niece, Hannah. But she's married to Sidney, a wife-beating drunk who hopes to inherit his uncle-in-law's money. Sidney and an eccentric preacher plot against Calef, who finds it difficult to conceal his mysterious past and his growing affection for Sidney's wife.
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over Mudhoney!?
The Arthouse Gremlin
“The stranger, the better.”
Read their caseThe Popcorn Loyalist
“Big screen, big feelings, no apologies.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
Nearby on the taste map.
TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.
Watch in your region.
Cinema release signals and current streaming, rental, and purchase options for your region.
Streaming availability data supplied by JustWatch.
The people responsible.
Cast & crew
Directed by
Russ Meyer
Written by
W.E. Sprague
Put Mudhoney! on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
“Oddness is not depth.”
A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.


