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The Closet

The Closet

Horror · Thriller · 2020

After moving into a new house, a young girl begins displaying strange and disturbing behavior until, one day, she disappears behind a closet. While the devastated father is left with no clue about his daughter's disappearance, an exorcist shows up to help.

Movie details

The Closet

“It's calling you.”

2020 Horror · Thriller 1h 38m

Critical arithmetic

One number, for now.

TMDB

7.1 / 10

Community rating

After moving into a new house, a young girl begins displaying strange and disturbing behavior until, one day, she disappears behind a closet. While the devastated father is left with no clue about his daughter's disappearance, an exorcist shows up to help.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Closet?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Whisper

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Sinister things begin happening to kidnappers who are holding a young boy for ransom in a remote cabin.

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The Possessed

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A man with the ability to exorcise demons fights to protect his loved ones after a sudden surge in demonic possessions. After discovering his nephew's girlfriend has the same supernatural gift, they join forces for the ultimate confrontation. Inspired by actual events.

Candy Land

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Play Dead

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Where it lives

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Names above the title

The people responsible.

Directed by

Kim Kwang-bin

Written by

Kim Kwang-bin

Ha Jung-woo

Ha Jung-woo

Sang-won

Kim Nam-gil

Kim Nam-gil

Kyung-hoon

Heo Yool

Heo Yool

Ina

Kim Sia

Kim Sia

Myung-jin

Shin Hyun-been

Shin Hyun-been

Seung-hee

Kim Soo-jin

Kim Soo-jin

Myung-jin's Mother

Park Sung-woong

Park Sung-woong

Myung-jin's Father

Court is in session

Put The Closet on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Popcorn Loyalist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.