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Noise

Noise

Horror · Thriller · 2025

Ju-young is a young woman with a hearing impediment who decides to investigate her sister's inexplicable disappearance, last seen in her apartment. Feeling more and more cornered, Ju-young begins to hear strange sounds and sense an evil presence in the apartment.

Movie details

Noise

“Could you be quiet before I rip your mouth out.”

2025 Horror · Thriller 1h 35m

Critical arithmetic

One number, for now.

TMDB

6.8 / 10

Community rating

Ju-young is a young woman with a hearing impediment who decides to investigate her sister's inexplicable disappearance, last seen in her apartment. Feeling more and more cornered, Ju-young begins to hear strange sounds and sense an evil presence in the apartment.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Noise?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Succubus

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A new father going through a marital separation joins a dating app and matches with a beautiful but mysterious young woman... whose powers of seduction and manipulation entangle him in a mystery more horrifying than he could have ever imagined.

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The Other

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Names above the title

The people responsible.

Directed by

Kim Soo-jin

Written by

Lee Je-hui · Kim Soo-jin

Lee Sun-bin

Lee Sun-bin

Joo-young

Kim Min-seok

Kim Min-seok

Gi-hun

Jeon Ik-ryoung

Jeon Ik-ryoung

Jeong-in

Ryu Kyung-soo

Ryu Kyung-soo

Park Geun-bae

Han Su-ah

Han Su-ah

Joo-hee

Baek Joo-hee

Baek Joo-hee

Head of the Women's Association

Kim Gyeong-ryong

Kim Gyeong-ryong

Security Guard

Court is in session

Put Noise on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Popcorn Loyalist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.