Back to trending
Let's Rob the Bank

Let's Rob the Bank

Comedy · Crime · 1964

Shopkeeper Victor Garnier has naively invested his family's life savings in an African mine, on his banker's recommendation. When the mine is nationalized, rendering the stock worthless, he considers himself shamelessly robbed by the bank; it seems only fair to him to return the 'favor' and rob the bank, teaming up with the whole family as they were all duped. Even for professionals such an enterprise -he decides to dig a tunnel- is quite demanding, but for simple commoners it's daunting, as they also have their personal downsides; thus Victor's wife has a most unwelcome tendency to blurt out the truth, even to the grumpy local copper: a crazy risk when you need to keep a criminal plan secret.

Movie details

Let's Rob the Bank

1964 Comedy · Crime 1h 28m

Critical arithmetic

One number, for now.

TMDB

6.5 / 10

Community rating

Shopkeeper Victor Garnier has naively invested his family's life savings in an African mine, on his banker's recommendation. When the mine is nationalized, rendering the stock worthless, he considers himself shamelessly robbed by the bank; it seems only fair to him to return the 'favor' and rob the bank, teaming up with the whole family as they were all duped. Even for professionals such an enterprise -he decides to dig a tunnel- is quite demanding, but for simple commoners it's daunting, as they also have their personal downsides; thus Victor's wife has a most unwelcome tendency to blurt out the truth, even to the grumpy local copper: a crazy risk when you need to keep a criminal plan secret.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Let's Rob the Bank?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

Hold-up

Hold-up

Comedy · 1985

Dressed as a clown, the clever rascal Grimm holds up the most secure bank of Montreal and takes 30 hostages. While confusing and ridiculing the police with his strange behavior, he calmly manages to rid the bank of a fortune. But then an unsatisfied companion arouses trouble...

The Brain

The Brain

Crime · 1969

Arthur and Anatole are two little robbers. They want to rob money, money that will travel in a special train from Paris to Bruxelles. They don't know that other people have planned to do the same thing.

The Fugitives

The Fugitives

Comedy · 1986

Coming out from jail, Lucas has decided to change his life and behave like a good citizen. But when he is taken hostage in a bank by a hare-brained robber, no cops can believe he is not part of the action.

The Honey Pot

The Honey Pot

Comedy · 1967

In Venice, a millionaire hires an actor to help him prank three greedy exes into thinking he's dying and leaving his fortune to one of them.

The Villain

The Villain

Comedy · 2009

With gun-toting rivals on his tail, a daring bank robber takes refuge in the quiet residential street here he grew up and where his mother, Maniette, still lives. An unscrupulous property developer, Korazy, is buying up the neighborhood to turn it into a gleaming new banking district, but to her son's disgust Maniette leads the inhabitants resistance. Her ingenious methods provoke her boy's admiration, but he fights back with sneaky traps and underhand tricks when Maniette tries to force him to do the right thing just once in his life.

The Wild Goose Chase

The Wild Goose Chase

Comedy · 1975

The whole intrigue is centered around carte-blanche documents kept in a vault. Whoever fills in the blank becomes the owner of a revue. Big money is involved. The nephew of the owner of the vault is trying to cheat his uncle and have his name in the documents. Everything is even more complicated because the manager of the bank has a finger in the pie, too. Who but a humble bank-teller (Pierre Richard) will ruin the scheme?

The Lavender Hill Mob

The Lavender Hill Mob

Comedy · 1951

A meek bank clerk who oversees the shipments of bullion joins with an eccentric neighbor to steal gold bars and smuggle them out of the country.

The League of Gentlemen

The League of Gentlemen

Comedy · 1960

Involuntarily-retired Colonel Hyde recruits seven other dissatisfied ex-servicemen for a special project. Each of the men has a skeleton in the cupboard, is short of money, and is a service-trained expert in his field. The job is a bank robbery, and military discipline and planning are imposed by Hyde and second-in-command Race on the team, although civilian irritations do start getting in the way.

Take the Money and Run

Take the Money and Run

Comedy · 1969

Virgil Starkwell is intent on becoming a notorious bank robber. Unfortunately for Virgil and his not-so-budding career, he is completely incompetent.

Family Plot

Family Plot

Comedy · 1976

Spiritualist Blanche Tyler and her cab-driving boyfriend encounter a pair of serial kidnappers while trailing a missing heir in California.

Where it lives

Watch in your region.

Cinema release signals and current streaming, rental, and purchase options for your region.

Streaming availability data supplied by JustWatch.

Names above the title

The people responsible.

Directed by

Jean Girault

Written by

Jacques Vilfrid · Jean Girault · Louis Sapin

Louis de Funès

Louis de Funès

Victor Garnier

Jean-Pierre Marielle

Jean-Pierre Marielle

André Durand-Mareuil

Yvonne Clech

Yvonne Clech

Eliane Garnier

Anne Doat

Anne Doat

Isabelle Garnier

Michel Tureau

Michel Tureau

Gérard Garnier

Catherine Demongeot

Catherine Demongeot

Corinne Garnier

Georges Wilson

Georges Wilson

Cyclist Police Officer

Court is in session

Put Let's Rob the Bank on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Popcorn Loyalist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.