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Cold Case Hammarskjöld

Cold Case Hammarskjöld

Documentary · History · 2019

Ndola, Northern Rhodesia (currently Zambia), September 18, 1961. Swedish economist and diplomat Dag Hammarskjöld, Secretary General of the UN, dies mysteriously in a plane crash. Decades later, Danish journalist and filmmaker Mads Brügger and Swedish researcher Göran Björkdahl investigate the case in search of definitive closure.

Movie details

Cold Case Hammarskjöld

“Some things have been hidden too long”

2019 Documentary · History 2h 9m

Critical arithmetic

The consensus, allegedly.

IMDb

7.5 / 10

2.9K votes

Rotten Tomatoes

83 %

Tomatometer

Metacritic

76 / 100

Metascore

TMDB

6.8 / 10

Community rating

External scores via OMDb · CC BY-NC 4.0. Values normalized for display; availability varies by title.

Ndola, Northern Rhodesia (currently Zambia), September 18, 1961. Swedish economist and diplomat Dag Hammarskjöld, Secretary General of the UN, dies mysteriously in a plane crash. Decades later, Danish journalist and filmmaker Mads Brügger and Swedish researcher Göran Björkdahl investigate the case in search of definitive closure.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Cold Case Hammarskjöld?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Mads Brügger

Written by

Mads Brügger

Mads Brügger

Mads Brügger

Self - Investigator

C

Clarinah Mfengu

Self - Secretary

S

Saphir Wenzi Mabanza

Self - Secretary

G

Göran Björkdahl

Self - Investigator

H

Hilding Björkdahl

Self - Göran's Father

M

Margareth Ngulube

Self

C

Custon Chipoya

Self

Court is in session

Put Cold Case Hammarskjöld on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Auteur Devotee

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.