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The Inventor: Out for Blood in Silicon Valley

The Inventor: Out for Blood in Silicon Valley

Documentary · 2019

With a magical new invention that promised to revolutionize blood testing, Elizabeth Holmes became the world’s youngest self-made billionaire, heralded as the next Steve Jobs. Then, overnight, her 10-billion-dollar company dissolved. The rise and fall of Theranos is a window into the psychology of fraud.

Movie details

The Inventor: Out for Blood in Silicon Valley

“Visionary. Billionaire. Fraud?”

2019 Documentary 1h 59m

Critical arithmetic

One number, for now.

TMDB

7.0 / 10

Community rating

With a magical new invention that promised to revolutionize blood testing, Elizabeth Holmes became the world’s youngest self-made billionaire, heralded as the next Steve Jobs. Then, overnight, her 10-billion-dollar company dissolved. The rise and fall of Theranos is a window into the psychology of fraud.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Inventor: Out for Blood in Silicon Valley?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Alex Gibney

Written by

Alex Gibney

Elizabeth Holmes

Elizabeth Holmes

Self - CEO and Founder of Theranos (archive footage)

Alex Gibney

Alex Gibney

Self - Narrator / Interviewer

Dan Ariely

Dan Ariely

Self - Behavioral Economist

Roger Parloff

Roger Parloff

Self - Fortune

K

Ken Auletta

Self - The New Yorker

E

Erika Cheung

Self - Lab Associate

C

Cheryl Gafner

Self - Receptionist

Court is in session

Put The Inventor: Out for Blood in Silicon Valley on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Auteur Devotee

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.