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Memory: The Origins of Alien

Memory: The Origins of Alien

Documentary · 2019

The untold origin story behind Ridley Scott's Alien - rooted in Greek and Egyptian mythologies, underground comics, the art of Francis Bacon, and the dark visions of Dan O'Bannon and H.R. Giger. A contemplation on the symbiotic collaborative process of movie-making, the power of myth, and our collective unconscious.

Movie details

Memory: The Origins of Alien

“Before Alien, there was Starbeast. Before Starbeast, there was… Memory.”

2019 Documentary 1h 35m

Critical arithmetic

The consensus, allegedly.

IMDb

6.8 / 10

3.8K votes

Rotten Tomatoes

81 %

Tomatometer

Metacritic

70 / 100

Metascore

TMDB

6.4 / 10

Community rating

External scores via OMDb · CC BY-NC 4.0. Values normalized for display; availability varies by title.

The untold origin story behind Ridley Scott's Alien - rooted in Greek and Egyptian mythologies, underground comics, the art of Francis Bacon, and the dark visions of Dan O'Bannon and H.R. Giger. A contemplation on the symbiotic collaborative process of movie-making, the power of myth, and our collective unconscious.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Memory: The Origins of Alien?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Alexandre O. Philippe

Written by

Alexandre O. Philippe

Ronald Shusett

Ronald Shusett

Self

R

Roger Christian

Self

Ivor Powell

Ivor Powell

Self

Terry Rawlings

Terry Rawlings

Self

Tom Skerritt

Tom Skerritt

Self

Veronica Cartwright

Veronica Cartwright

Self

Roger Corman

Roger Corman

Self

Court is in session

Put Memory: The Origins of Alien on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Auteur Devotee

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.