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Overnight

Overnight

Documentary · 2003

Alternately hilarious and horrifying, Overnight chronicles one man's misadventures of making a Hollywood movie. It starts out as a rags to riches story as Troy Duffy, a Boston-bred bartender, sells his first screenplay for The Boondock Saints.

Movie details

Overnight

“There's more than one way to shoot yourself”

2003 Documentary 1h 22m

Critical arithmetic

The consensus, allegedly.

IMDb

7.0 / 10

4.8K votes

Rotten Tomatoes

78 %

Tomatometer

Metacritic

60 / 100

Metascore

TMDB

6.4 / 10

Community rating

External scores via OMDb · CC BY-NC 4.0. Values normalized for display; availability varies by title.

Alternately hilarious and horrifying, Overnight chronicles one man's misadventures of making a Hollywood movie. It starts out as a rags to riches story as Troy Duffy, a Boston-bred bartender, sells his first screenplay for The Boondock Saints.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Overnight?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Streaming availability data supplied by JustWatch.

Names above the title

The people responsible.

Directed by

Mark Brian Smith · Tony Montana

Written by

Tony Montana · Mark Brian Smith

Troy Duffy

Troy Duffy

Self

Billy Connolly

Billy Connolly

Self

Norman Reedus

Norman Reedus

Self

Jake Busey

Jake Busey

Self

Emmanuelle Béart

Emmanuelle Béart

Self

Vincent D'Onofrio

Vincent D'Onofrio

Self

David Della Rocco

David Della Rocco

Self

Court is in session

Put Overnight on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Auteur Devotee

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.