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We Live in Public

We Live in Public

Documentary · 2009

In 1999, Internet entrepreneur Josh Harris recruits dozens of young men and women who agree to live in underground apartments for weeks at a time while their every movement is broadcast online. Soon, Harris and his girlfriend embark on their own subterranean adventure, with cameras streaming live footage of their meals, arguments, bedroom activities, and bathroom habits. This documentary explores the role of technology in our lives, as it charts the fragile nature of dot-com economy.

Movie details

We Live in Public

2009 Documentary 1h 29m

Critical arithmetic

One number, for now.

TMDB

6.8 / 10

Community rating

In 1999, Internet entrepreneur Josh Harris recruits dozens of young men and women who agree to live in underground apartments for weeks at a time while their every movement is broadcast online. Soon, Harris and his girlfriend embark on their own subterranean adventure, with cameras streaming live footage of their meals, arguments, bedroom activities, and bathroom habits. This documentary explores the role of technology in our lives, as it charts the fragile nature of dot-com economy.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over We Live in Public?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Where it lives

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Streaming availability data supplied by JustWatch.

Names above the title

The people responsible.

Directed by

Ondi Timoner

Written by

Ondi Timoner

J

Josh Harris

Self

Douglas Rushkoff

Douglas Rushkoff

Self - Author

N

Nacho Platas

Self - Software Developer, Operator 11

Jason Calacanis

Jason Calacanis

Self - Internet Mogul

C

Cal Chamberlain

Self - Producer/Host, Pseudo

L

Leo Fernekes

Self - Surveillance Artist

F

Fred Wilson

Self - Venture Capitalist

Court is in session

Put We Live in Public on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Auteur Devotee

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.