The defence The Sentimental Softie
“Sincerity is not manipulation.”
The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.
Back to trending 
Water for Elephants
Drama · Romance · 2011
In this captivating Depression-era melodrama, impetuous veterinary student Jacob Jankowski joins a celebrated circus as an animal caretaker but faces a wrenching dilemma when he's transfixed by angelic married performer Marlena.
Movie details
Water for Elephants
“Life is the most spectacular show on earth.”
2011 Drama · Romance 2h 2m
Critical arithmetic
One number, for now.
Scores change. Arguments endure.
TMDB
6.9 / 10
Community rating
In this captivating Depression-era melodrama, impetuous veterinary student Jacob Jankowski joins a celebrated circus as an animal caretaker but faces a wrenching dilemma when he's transfixed by angelic married performer Marlena.
CriticWise case file
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over Water for Elephants?
For the defence
The Sentimental Softie
“You came to feel something, and you will.”
Read their case For the prosecution
The Cool Ironist
“Feeling things is a little embarrassing.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
Taste neighbourhood
Nearby on the taste map.
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Where it lives
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Names above the title
The people responsible.
Cast & crew
Directed by
Francis Lawrence
Written by
Richard LaGravenese
Robert Pattinson
Jacob Jankowski
Reese Witherspoon
Marlena Rosenbluth
Christoph Waltz
August Rosenbluth
Paul Schneider
Charlie
Jim Norton
Camel
Hal Holbrook
Old Jacob
Donna W. Scott
Barbara
Court is in session
Put Water for Elephants on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
The prosecution The Cool Ironist
“The strings are showing.”
Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.