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Win Win

Win Win

Drama · Comedy · 2011

When down-on-his-luck part-time high school wrestling coach Mike agrees to become legal guardian to an elderly man, his ward's troubled grandson turns out to be a star grappler, sparking dreams of a big win -- until the boy's mother retrieves him.

Movie details

Win Win

“In the game of life, you can't lose 'em all.”

2011 Drama · Comedy 1h 46m

Critical arithmetic

One number, for now.

TMDB

6.8 / 10

Community rating

When down-on-his-luck part-time high school wrestling coach Mike agrees to become legal guardian to an elderly man, his ward's troubled grandson turns out to be a star grappler, sparking dreams of a big win -- until the boy's mother retrieves him.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Win Win?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Storytelling

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Queen of the Ring

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In a time when pro wrestling for women was illegal all over the country, a small town single mother embraces the danger to change culture as she dominates America's most masculine sport to become the first million dollar female athlete in history.

Where it lives

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Streaming availability data supplied by JustWatch.

Names above the title

The people responsible.

Directed by

Tom McCarthy

Written by

Joe Tiboni · Tom McCarthy

Paul Giamatti

Paul Giamatti

Mike Flaherty

Amy Ryan

Amy Ryan

Jackie Flaherty

Bobby Cannavale

Bobby Cannavale

Terry Delfino

Jeffrey Tambor

Jeffrey Tambor

Vigman

Burt Young

Burt Young

Leo Poplar

Melanie Lynskey

Melanie Lynskey

Cindy Timmons

Alex Shaffer

Alex Shaffer

Kyle

Court is in session

Put Win Win on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Popcorn Loyalist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.