“Its refusal to behave is the point.”
The strange choices create the kind of friction that follows you out of the theatre and into the argument.

Exit Plan
Mystery · Thriller · Drama · 2019
Insurance broker Max's life is about one thing - keeping his walnut brain tumour in check. He eats properly, exercises and lives properly, but all of this self-consciousness makes him more and more depressed. When he realises that his beloved wife plans to leave him, he decides to take his own life.
Exit Plan
“You can check out but you can never leave.”
Critical arithmetic
The consensus, allegedly.
Scores change. Arguments endure.
IMDb
5.1 / 10
2.2K votes
Rotten Tomatoes
40 %
Tomatometer
Metacritic
46 / 100
Metascore
TMDB
5.9 / 10
Community rating
External scores via OMDb · CC BY-NC 4.0. Values normalized for display; availability varies by title.
Insurance broker Max's life is about one thing - keeping his walnut brain tumour in check. He eats properly, exercises and lives properly, but all of this self-consciousness makes him more and more depressed. When he realises that his beloved wife plans to leave him, he decides to take his own life.
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over Exit Plan?
The Arthouse Gremlin
“The stranger, the better.”
Read their caseThe Popcorn Loyalist
“Big screen, big feelings, no apologies.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
Nearby on the taste map.
TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.
Watch in your region.
Cinema release signals and current streaming, rental, and purchase options for your region.
Streaming availability data supplied by JustWatch.
The people responsible.
Cast & crew
Directed by
Jonas Alexander Arnby
Written by
Rasmus Birch
Put Exit Plan on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
“Oddness is not depth.”
A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.






