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The Chinese Widow

The Chinese Widow

Drama · Romance · History · 2017

It’s 1941 and the Japanese attack on Pearl Harbor has destroyed America’s morale. The US President Franklin D. Roosevelt then decides to risk it all by bombing Tokyo and raise more hope for his citizens. After completing its mission, a unit of the US Air Force is forced to make an emergency landing in China. Its commander Jack Turner (Emilie Hirsch) barely survives but gets rescued by Ying (Crystal Liu), a local widow who will stop at nothing to hide him from the Japanese occupant.

Movie details

The Chinese Widow

2017 Drama · Romance · History 1h 37m

Critical arithmetic

One number, for now.

TMDB

7.2 / 10

Community rating

It’s 1941 and the Japanese attack on Pearl Harbor has destroyed America’s morale. The US President Franklin D. Roosevelt then decides to risk it all by bombing Tokyo and raise more hope for his citizens. After completing its mission, a unit of the US Air Force is forced to make an emergency landing in China. Its commander Jack Turner (Emilie Hirsch) barely survives but gets rescued by Ying (Crystal Liu), a local widow who will stop at nothing to hide him from the Japanese occupant.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Chinese Widow?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Bille August

Written by

Greg Latter

Liu Yifei

Liu Yifei

Ying

Emile Hirsch

Emile Hirsch

Jack Turner

Fangcong Li

Fangcong Li

Niuniu

Kevin Yan Yikuan

Kevin Yan Yikuan

Kai

Yu Shaoqun

Yu Shaoqun

Jun

Vincent Riotta

Vincent Riotta

Jimmy Doolittle

Tsukagoshi Hirotaka

Tsukagoshi Hirotaka

Shimamoto

Court is in session

Put The Chinese Widow on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.