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Pain and Glory

Pain and Glory

Drama · 2019

Salvador Mallo, a filmmaker in the twilight of his career, remembers his life: his mother, his lovers, the actors he worked with. The sixties in a small village in Valencia, the eighties in Madrid, the present, when he feels an immeasurable emptiness, facing his mortality, the incapability of continuing filming, the impossibility of separating creation from his own life. The need of narrating his past can be his salvation.

Movie details

Pain and Glory

“Pain, Glory, Love, Art, Cinema”

2019 Drama 1h 54m

Critical arithmetic

One number, for now.

TMDB

7.4 / 10

Community rating

Salvador Mallo, a filmmaker in the twilight of his career, remembers his life: his mother, his lovers, the actors he worked with. The sixties in a small village in Valencia, the eighties in Madrid, the present, when he feels an immeasurable emptiness, facing his mortality, the incapability of continuing filming, the impossibility of separating creation from his own life. The need of narrating his past can be his salvation.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Pain and Glory?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Pedro Almodóvar

Written by

Pedro Almodóvar

Antonio Banderas

Antonio Banderas

Salvador Mallo

Asier Etxeandia

Asier Etxeandia

Alberto Crespo

Leonardo Sbaraglia

Leonardo Sbaraglia

Federico Delgado

Nora Navas

Nora Navas

Mercedes

Julieta Serrano

Julieta Serrano

Old Jacinta

Penélope Cruz

Penélope Cruz

Jacinta

César Vicente

César Vicente

Eduardo

Court is in session

Put Pain and Glory on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.