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Bad Education

Bad Education

Drama · Crime · 2004

When an old friend brings filmmaker Enrique Goded a semi-autobiographical script chronicling their adolescence, Enrique is forced to relive his youth spent at a Catholic boarding school. Weaving through past and present, the script follows a transvestite performer who reconnects with a grade school sweetheart. Spurred on by this chance encounter, the character reflects on her childhood sexual victimization and the trauma of closeting her sexual orientation.

Movie details

Bad Education

2004 Drama · Crime 1h 45m

Critical arithmetic

One number, for now.

TMDB

7.4 / 10

Community rating

When an old friend brings filmmaker Enrique Goded a semi-autobiographical script chronicling their adolescence, Enrique is forced to relive his youth spent at a Catholic boarding school. Weaving through past and present, the script follows a transvestite performer who reconnects with a grade school sweetheart. Spurred on by this chance encounter, the character reflects on her childhood sexual victimization and the trauma of closeting her sexual orientation.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Bad Education?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Pedro Almodóvar

Written by

Pedro Almodóvar

Gael García Bernal

Gael García Bernal

Ángel / Juan / Zahara

Fele Martínez

Fele Martínez

Enrique Goded

Daniel Giménez Cacho

Daniel Giménez Cacho

Padre Manolo

Lluís Homar

Lluís Homar

Sr. Berenguer

Francisco Maestre

Francisco Maestre

Padre José

Francisco Boira

Francisco Boira

Ignacio

Juan Fernández

Juan Fernández

Martín

Court is in session

Put Bad Education on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Auteur Devotee

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.