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Miss Fisher and the Crypt of Tears

Miss Fisher and the Crypt of Tears

Drama · Adventure · Mystery · 2020

After freeing a young Bedouin girl from her unjust imprisonment in Jerusalem, an Australian adventuress, together with her devoted police detective friend, begins to unravel a decade-old mystery concerning priceless emeralds, an ancient curse and the disappearance of the girl's mother and massacre of her tribe.

Movie details

Miss Fisher and the Crypt of Tears

“So glamorous it's criminal.”

2020 Drama · Adventure · Mystery 1h 42m

Critical arithmetic

One number, for now.

TMDB

6.1 / 10

Community rating

After freeing a young Bedouin girl from her unjust imprisonment in Jerusalem, an Australian adventuress, together with her devoted police detective friend, begins to unravel a decade-old mystery concerning priceless emeralds, an ancient curse and the disappearance of the girl's mother and massacre of her tribe.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Miss Fisher and the Crypt of Tears?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Agatha and the Truth of Murder

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Picnic at Hanging Rock

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Names above the title

The people responsible.

Directed by

Tony Tilse

Written by

Deb Cox

Essie Davis

Essie Davis

Phryne Fisher

Nathan Page

Nathan Page

Detective Inspector Jack Robinson

Izabella Yena

Izabella Yena

Shirin Abbas

Rupert Penry-Jones

Rupert Penry-Jones

First Lieutenant Jonathon Lofthouse

Daniel Lapaine

Daniel Lapaine

Lord 'Lofty' Lofthouse

Jacqueline McKenzie

Jacqueline McKenzie

Lady Eleanor Lofthouse

Miriam Margolyes

Miriam Margolyes

Prudence Stanley

Court is in session

Put Miss Fisher and the Crypt of Tears on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Popcorn Loyalist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.