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Martha Marcy May Marlene

Martha Marcy May Marlene

Drama · Thriller · 2011

After several years of living with a cult, Martha finally escapes and calls her estranged sister, Lucy, for help. Martha finds herself at the quiet Connecticut home Lucy shares with her new husband, Ted, but the memories of what she experienced in the cult make peace hard to find. As flashbacks continue to torment her, Martha fails to shake a terrible sense of dread, especially in regard to the cult's manipulative leader.

Movie details

Martha Marcy May Marlene

“You can get away, but you can never escape.”

2011 Drama · Thriller 1h 41m

Critical arithmetic

One number, for now.

TMDB

6.6 / 10

Community rating

After several years of living with a cult, Martha finally escapes and calls her estranged sister, Lucy, for help. Martha finds herself at the quiet Connecticut home Lucy shares with her new husband, Ted, but the memories of what she experienced in the cult make peace hard to find. As flashbacks continue to torment her, Martha fails to shake a terrible sense of dread, especially in regard to the cult's manipulative leader.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Martha Marcy May Marlene?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Sean Durkin

Written by

Sean Durkin

Elizabeth Olsen

Elizabeth Olsen

Martha

Sarah Paulson

Sarah Paulson

Lucy

Hugh Dancy

Hugh Dancy

Ted

John Hawkes

John Hawkes

Patrick

Brady Corbet

Brady Corbet

Watts

Louisa Krause

Louisa Krause

Zoe

Christopher Abbott

Christopher Abbott

Max

Court is in session

Put Martha Marcy May Marlene on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Form is the argument.”

Every composed frame and deliberate cut is evidence that control can be thrilling in its own right.

The prosecution The Popcorn Loyalist

“Technique in search of a pulse.”

Immaculate construction is still construction. The film may be too busy proving its craft to feel alive.