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Fidelity

Fidelity

Drama · 2000

A talented photographer who lands a lucrative job in Paris with a scandal-mongering tabloid and becomes romantically involved with an eccentric children's book publisher while resisting the sexual advances of another photographer.

Movie details

Fidelity

“Sometimes... There is a desire for another man.”

2000 Drama 2h 46m

Critical arithmetic

One number, for now.

TMDB

5.8 / 10

Community rating

A talented photographer who lands a lucrative job in Paris with a scandal-mongering tabloid and becomes romantically involved with an eccentric children's book publisher while resisting the sexual advances of another photographer.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Fidelity?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Polisse

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Manhattan Night

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Porter Wren is a Manhattan tabloid writer with an appetite for scandal. On the beat he sells murder, tragedy, and anything that passes for the truth. At home, he is a dedicated husband and father. But when Caroline, a seductive stranger asks him to dig into the unsolved murder of her filmmaker husband Simon, he is drawn into a very nasty case of sexual obsession and blackmail--one that threatens his job, his marriage, and his life.

Eyes Wide Shut

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Names above the title

The people responsible.

Directed by

Andrzej Żuławski

Written by

Andrzej Żuławski

Sophie Marceau

Sophie Marceau

Clélia

Guillaume Canet

Guillaume Canet

Némo

Pascal Greggory

Pascal Greggory

Clève

Michel Subor

Michel Subor

Rupert MacRoi

Magali Noël

Magali Noël

La mère de clélia

Marina Hands

Marina Hands

Julia

Marc François

Marc François

Saint-André

Court is in session

Put Fidelity on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.