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I Saw the Devil

I Saw the Devil

Thriller · Horror · 2010

Kyung-chul is a dangerous psychopath who kills for pleasure. Soo-hyeon, a top-secret agent, decides to track down the murderer himself. He promises himself that he will do everything in his power to take vengeance against the killer, even if it means that he must become a monster himself.

Movie details

I Saw the Devil

“Abandon all compassion.”

2010 Thriller · Horror 2h 24m

Critical arithmetic

One number, for now.

TMDB

7.8 / 10

Community rating

Kyung-chul is a dangerous psychopath who kills for pleasure. Soo-hyeon, a top-secret agent, decides to track down the murderer himself. He promises himself that he will do everything in his power to take vengeance against the killer, even if it means that he must become a monster himself.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over I Saw the Devil?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Kim Jee-woon

Written by

Park Hoon-jung · Kim Jee-woon

Lee Byung-hun

Lee Byung-hun

Kim Soo-hyeon

Choi Min-sik

Choi Min-sik

Kyung-chul

Jeon Kuk-hwan

Jeon Kuk-hwan

Squad Chief Jang

Cheon Ho-jin

Cheon Ho-jin

Section Chief Oh

Oh San-ha

Oh San-ha

Joo-yeon

Kim Yoon-seo

Kim Yoon-seo

Se-yeon

Nam Bo-ra

Nam Bo-ra

Section Chief's Daughter

Court is in session

Put I Saw the Devil on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Big-Idea Head

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Popcorn Loyalist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.