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Mimic

Mimic

Horror · Science Fiction · 1997

A disease carried by common cockroaches is killing Manhattan children. In an effort to stop the epidemic an entomologist, Susan Tyler, creates a mutant breed of insect that secretes a fluid to kill the roaches. This mutant breed was engineered to die after one generation, but three years later Susan finds out that the species has survived and evolved into a large, gruesome monster that can mimic human form.

Movie details

Mimic

“For thousands of years, man has been evolution's greatest creation... until now.”

1997 Horror · Science Fiction 1h 45m

Critical arithmetic

One number, for now.

TMDB

6.1 / 10

Community rating

A disease carried by common cockroaches is killing Manhattan children. In an effort to stop the epidemic an entomologist, Susan Tyler, creates a mutant breed of insect that secretes a fluid to kill the roaches. This mutant breed was engineered to die after one generation, but three years later Susan finds out that the species has survived and evolved into a large, gruesome monster that can mimic human form.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Mimic?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Guillermo del Toro

Written by

Guillermo del Toro · Matthew Robbins

Mira Sorvino

Mira Sorvino

Susan Tyler

Jeremy Northam

Jeremy Northam

Peter Mann

Giancarlo Giannini

Giancarlo Giannini

Manny

Charles S. Dutton

Charles S. Dutton

Leonard

Josh Brolin

Josh Brolin

Josh

Alexander Goodwin

Alexander Goodwin

Chuy

Alix Koromzay

Alix Koromzay

Remy

Court is in session

Put Mimic on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Prestige Tourist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.