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Madigan

Madigan

Crime · Drama · Thriller · 1968

NYPD detectives Bonaro and Madigan lose their guns to fugitive Barney Benesch. As compensation, they are given a weekend to bring Benesch to justice. While they follow various leads, Police Commissioner Russell goes about his duties, including attending functions, meeting with aggrieved relatives, and counseling the spouses of fallen officers.

Movie details

Madigan

“"If Detective Madigan kept his eyes on the killer instead of the broad..."”

1968 Crime · Drama · Thriller 1h 41m

Critical arithmetic

One number, for now.

TMDB

6.2 / 10

Community rating

NYPD detectives Bonaro and Madigan lose their guns to fugitive Barney Benesch. As compensation, they are given a weekend to bring Benesch to justice. While they follow various leads, Police Commissioner Russell goes about his duties, including attending functions, meeting with aggrieved relatives, and counseling the spouses of fallen officers.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Madigan?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Don Siegel

Written by

Howard Rodman · Abraham Polonsky

Richard Widmark

Richard Widmark

Det. Daniel Madigan

Henry Fonda

Henry Fonda

Commissioner Anthony X. Russell

Inger Stevens

Inger Stevens

Julia Madigan

Harry Guardino

Harry Guardino

Det. Rocco Bonaro

James Whitmore

James Whitmore

Chief Inspector Charles Kane

Susan Clark

Susan Clark

Tricia Bentley

Michael Dunn

Michael Dunn

Midget Castiglione

Court is in session

Put Madigan on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Big-Idea Head

“Form is the argument.”

Every composed frame and deliberate cut is evidence that control can be thrilling in its own right.

The prosecution The Popcorn Loyalist

“Technique in search of a pulse.”

Immaculate construction is still construction. The film may be too busy proving its craft to feel alive.