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Outside the Law

Outside the Law

Action · Drama · History · 2010

After losing their family home in Algeria in the 1920s, three brothers and their mother are scattered across the globe. Messaoud joins the French army fighting in Indochina; Abdelkader becomes a leader of the Algerian independence movement in France and Saïd moves to Paris to make his fortune in the shady clubs and boxing halls of Pigalle.

Movie details

Outside the Law

“Three brothers. One destiny. Freedom at all costs.”

2010 Action · Drama · History 2h 17m

Critical arithmetic

One number, for now.

TMDB

6.6 / 10

Community rating

After losing their family home in Algeria in the 1920s, three brothers and their mother are scattered across the globe. Messaoud joins the French army fighting in Indochina; Abdelkader becomes a leader of the Algerian independence movement in France and Saïd moves to Paris to make his fortune in the shady clubs and boxing halls of Pigalle.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Outside the Law?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Rachid Bouchareb

Written by

Rachid Bouchareb

Jamel Debbouze

Jamel Debbouze

Saïd

Roschdy Zem

Roschdy Zem

Messaoud

Sami Bouajila

Sami Bouajila

Abdelkader

Chafia Boudraa

Chafia Boudraa

Mother

Bernard Blancan

Bernard Blancan

Faivre

Sabrina Seyvecou

Sabrina Seyvecou

Hélène

Assaad Bouab

Assaad Bouab

Ali

Court is in session

Put Outside the Law on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.