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We Die Young

We Die Young

Drama · Action · Crime · 2019

Lucas, a 14-year-old boy inducted into the gang life in Washington D.C., is determined that his 10-year-old brother won't follow the same path. When an Afghanistan war veteran comes into the neighborhood, an opportunity arises.

Movie details

We Die Young

“Every Life Is Worth Saving.”

2019 Drama · Action · Crime 1h 33m

Critical arithmetic

The consensus, allegedly.

IMDb

5.2 / 10

5.4K votes

TMDB

6.8 / 10

Community rating

External scores via OMDb · CC BY-NC 4.0. Values normalized for display; availability varies by title.

Lucas, a 14-year-old boy inducted into the gang life in Washington D.C., is determined that his 10-year-old brother won't follow the same path. When an Afghanistan war veteran comes into the neighborhood, an opportunity arises.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over We Die Young?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Action · 1991

Gino Felino is an NYPD detective from Brooklyn who knows everyone and everything in his neighborhood. Killing his partner was someone's big mistake... because he's now out for justice.

Assault on Precinct 13

Assault on Precinct 13

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The Boondock Saints

The Boondock Saints

Action · 1999

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Al Capone

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Names above the title

The people responsible.

Directed by

Lior Geller

Written by

Lior Geller · Andrew Friedman

Jean-Claude Van Damme

Jean-Claude Van Damme

Daniel

David Castañeda

David Castañeda

Rincon

Joana Metrass

Joana Metrass

Anna

Elijah Rodriguez

Elijah Rodriguez

Lucas

Nicholas Sean Johnny

Nicholas Sean Johnny

Miguel

Charlie MacGechan

Charlie MacGechan

Jester

Dean John-Wilson

Dean John-Wilson

Mousy

Court is in session

Put We Die Young on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Adrenaline Seeker

“Momentum is a formal choice.”

The velocity sharpens instinct and tension, making every beat land before self-importance can settle in.

The prosecution The Popcorn Loyalist

“Speed as an alibi.”

The film races past its weak spots and hopes acceleration will keep the audience from inspecting the evidence.