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The White Crow

The White Crow

Drama · 2018

The story of Rudolf Nureyev, whose escape to the West stunned the world at the height of the Cold War. With his magnetic presence, Nureyev emerged as ballet’s most famous star, a wild and beautiful dancer limited by the world of 1950s Leningrad. His flirtation with Western artists and ideas led him into a high-stakes game of cat and mouse with the KGB.

Movie details

The White Crow

“To dance you must be free”

2018 Drama 2h 7m

Critical arithmetic

The consensus, allegedly.

IMDb

6.6 / 10

7.5K votes

Rotten Tomatoes

68 %

Tomatometer

Metacritic

61 / 100

Metascore

TMDB

6.6 / 10

Community rating

External scores via OMDb · CC BY-NC 4.0. Values normalized for display; availability varies by title.

The story of Rudolf Nureyev, whose escape to the West stunned the world at the height of the Cold War. With his magnetic presence, Nureyev emerged as ballet’s most famous star, a wild and beautiful dancer limited by the world of 1950s Leningrad. His flirtation with Western artists and ideas led him into a high-stakes game of cat and mouse with the KGB.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The White Crow?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Ralph Fiennes

Written by

David Hare

Oleg Ivenko

Oleg Ivenko

Rudolf Nureyev

Adèle Exarchopoulos

Adèle Exarchopoulos

Clara Saint

Chulpan Khamatova

Chulpan Khamatova

Xenia Jurgenson

Ralph Fiennes

Ralph Fiennes

Alexander Pushkin

Alexey Morozov

Alexey Morozov

Strizhevsky

Raphaël Personnaz

Raphaël Personnaz

Pierre Lacotte

Olivier Rabourdin

Olivier Rabourdin

Alexinsky

Court is in session

Put The White Crow on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Popcorn Loyalist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.