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Coming Home for Christmas

Coming Home for Christmas

TV Movie · Romance · Comedy · 2017

Lizzie Richfield is at a crossroads when she lands a job as house manager for the exquisite Ashford Estate in the Virginia countryside. While planning one final Christmas Eve gala for the Marley family, Lizzie finds herself drawn to Robert—even as Kip pursues her.

Movie details

Coming Home for Christmas

2017 TV Movie · Romance · Comedy 1h 24m

Critical arithmetic

One number, for now.

TMDB

6.6 / 10

Community rating

Lizzie Richfield is at a crossroads when she lands a job as house manager for the exquisite Ashford Estate in the Virginia countryside. While planning one final Christmas Eve gala for the Marley family, Lizzie finds herself drawn to Robert—even as Kip pursues her.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Coming Home for Christmas?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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The Mistletoe Promise

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A Blue Ridge Mountain Christmas

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Four Christmases and a Wedding

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TV Movie · 2018

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Names above the title

The people responsible.

Directed by

Mel Damski

Written by

Nina Weinman

Danica McKellar

Danica McKellar

Lizzie Richfield

Neal Bledsoe

Neal Bledsoe

Robert Marley

Andrew Francis

Andrew Francis

Kip Marley

Rebecca Staab

Rebecca Staab

Camille Richfield

Chelan Simmons

Chelan Simmons

Sloane

Lindsay Maxwell

Lindsay Maxwell

Megan Richfield

Paula Shaw

Paula Shaw

Pippa Marley

Court is in session

Put Coming Home for Christmas on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.