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The Party Is Over

The Party Is Over

Drama · 2018

Despite their differences, Celeste and Sihem quickly become inseparable. The common will to get out of drugs seals their fusional friendship. This will be as much a force as an obstacle when, transferred from the center that welcomes them, they find themselves left to themselves, to the test of the real world and its temptations. They will have to fight to finally live.

Movie details

The Party Is Over

2018 Drama 1h 30m

Critical arithmetic

One number, for now.

TMDB

6.1 / 10

Community rating

Despite their differences, Celeste and Sihem quickly become inseparable. The common will to get out of drugs seals their fusional friendship. This will be as much a force as an obstacle when, transferred from the center that welcomes them, they find themselves left to themselves, to the test of the real world and its temptations. They will have to fight to finally live.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Party Is Over?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Marie Garel-Weiss

Written by

Salvatore Lista · Marie Garel-Weiss

Zita Hanrot

Zita Hanrot

Sihem

Clémence Boisnard

Clémence Boisnard

Céleste

Coralie Russier

Coralie Russier

Présidente réunion

Marie Denarnaud

Marie Denarnaud

Mère de Céleste

Michel Muller

Michel Muller

Le Psychologue

Pascal Rénéric

Pascal Rénéric

Jean-Louis

I

Inès Fehner

La Thérapeute

Court is in session

Put The Party Is Over on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.